Happy

by Envinite

In 2019 I released another music project titled Happy. This is a progresssive-house genre track with heavy use of vocal effects, that was originally made as a remix (I believe it was TRACE – Low), but released as personal release since I kind of missed the remix submission deadline.

Year: 2019

Originally, the entire arrangement was supposed to be a simple bass/lead synth + vocal from TRACE – Low, since I was referencing Alice Deejay’s Better Off Alone style. Hence on this track, the bassline becoming the prominient feature across from start to finish.

After I decided to not make this a remix of TRACE – Low, all original vocals was removed, and replaced with random vocal samples that was cut, reversed and given effects, which compliments the simplistic melody throughout the track.

Mirari

by Envinite

Another track I released under artist name Envinite in late 2018. Mirari is an experiment of combining Trance and Deep House, resulting in an frankentstein of a music.

Year: 2018

The main melody was derived from simple pad that was assigned with Arpeggiator with some effects automations to introduce chord progression easily.

Coupled with deephouse basses that were interlapping with each other, creating a rather aggresive melody that oddly enough fitting with the trance-like main melody.

Fab

by Envinite

In 2018 I released my first ever music project titled Fab, under artist name Envinite. I’ve been using FL Studio and Ableton for some time for sound editing for video project, with many attempt to create original track but most left unfinished.

Fab’s genre is somewhere around Electronica, combining Trance and Progressive House-y like, I guess.

Year: 2018

The entire composition revolves around this lead chord progression, layered with 4 lead tracks rich in delay and reverb effects, stacked with arpeggiator MIDI effect to make arrangement sounds more dynamic despite using the same recycled progression from start to end.

Meanwhile for bass & sub are kept simple with more of a house-genre rythm, accompanied with kicks and percussive samples arranged with drum rack.

To make arrangement sounds more exciting, several hooks were added in combination with automation, giving a dynamic transition in between arrangement. Typically I added hook per 8 to 16 bar beats, using automation on the reverb and cut-off control on the leads to give that ‘bbbzzzzzt’ efect. Not bad for a first release song, no?

Composed in Ableton with a hefty use of Serum samples by Xfer Records. Audio mixing and mastering done by myself utilizing a stupid amount of FX modules including iZotope Ozone.